What is a writer?
A miserable little pile of words!


Call me MP or Miz


Fiction attempted, with various levels of success.


Yes, I do need help, thank you for noticing.



Making-up-Mech-Pilots
@Making-up-Mech-Pilots

Mech Pilot who wants what you have. Not the Machine.


melinoe
@melinoe

The red-boots girl circles the 180-Dock, prances over fuel and vomit spills.

Your shore-girl — ‘cos pilots know civvies won’t ever get it. Your machine does, but you can’t fuck the machine — least per new regulations, and field-issue tech. So you take the closet thing; their warm, cock-waving, hole-haver flesh-hearts, and settle for that.

And civvies are soft, and weak, and… even over the smoke and oil she smells good.

You’re still in the combat-romper, short-short at the shoulder and thighs — mount-points for the gun show; her hands run on its centre-torso, over coolant hose that weaves into spooled intestine. No point in extra effort — ‘cos it’s never real with a civvie.

And she’ll just want a knight, in oil-stained armour, to strut her into the fanciest do on the station’s promenade and let her pouted lips sip on 200u cocktails — as if she’s bored.

“Who’s it now?” you ask, as if you’ll take her back when you’re on a merc’s pension.



amaranth-witch
@amaranth-witch

One of the big hurdles faced by “pure” philosophy in times of acute stress - whether the stress is personal or cultural, whether the philosophy is social theory or ethics or etc - one of the big hurdles is that people under intense, acute stress come looking for answers, direct, concrete answers. This is understandable. We are under stress, and we are grasping for a way to relieve that stress, as quickly as possible (followed by “as thoroughly as possible” and “as efficiently as possible” and “as safely as possible” in some mixture of distant second-and-beyond place; “quickly” tends to take the massive immediate lead for hopefully obvious reasons).

Problem is, due to the nature of the beast, philosophy trends heavily towards answering in the form of further questions. Not just the Socratic method; that’s an example, certainly, but also in questions designed to prompt more analysis, more introspection and examination. More consideration. Even when it comes to the “read theory” instructions that leftist agitators are constantly throwing out like fire and forget hand grenades (and for some people, “read theory” is itself a thought terminating platitude, more on that in a second) the theory in question trends towards asking more than answering: how will you incorporate these views into your praxis? What does this look like? What does this mean to your community, to you, to your interrelated web?

But when you’re under acute stress, you’re not usually looking to be set up at the starting line of an introspective quest. You’re looking for answers. You’re looking for concrete, actionable pieces which will help alleviate the stress as quickly as possible.

And so what frequently happens is people under stress coming to philosophy, coming to theory, and grabbing on hard to foundational axioms - but rather than using them to build a foundation of understanding, treating them as complete answers because they feel that way. Turning them into thought terminating platitudes. This is how you’ll find someone up there on a Junior-scale soapbox, responding to someone else’s pain at the hands of their own acute stress with “the suffering is the point” and “the purpose of the system is what it does” and nothing beyond that, but their fringe halo of listeners nodding safely, “so true bestie” and that’s another answer dispensed, another truth doled out, discussion over because the purpose of the machine is what it does, problem solved who else needs to hear it now?

And obviously this has a tendency to leave one of two types of people in the wake: either they accept the cliche and embrace it as their own, perpetuating that cycle, or they are left bewildered and still hurting.

Because the actual point of these observations, these axioms, isn’t to provide a stopping point, it’s to provoke more exploration, more investigation, more questioning. To hang up a sign reading “inquire within”. To push the querent into asking things like “so what does the system DO” and “whom does it benefit and how” and “how do we (begin to) shut it down” and further layers, to encourage us to synthesize a working worldview and take action on it - but, ironically, that requires something counterintuitive when you’re looking to make the stress go away.

I have no idea how to tag this. I wrote it during a painsomnia waking stretch after watching a couple of these hurdles smack acquaintances in the (rhetorical) face; there’s a reason that’s the choice of example I went with, and so on. Maybe I’m just writing this to vent, I don’t know. I’ll tag it after I get some sleep, probably.



caffeinatedOtter
@caffeinatedOtter

They mingle with the crowd of relatives and other close undesirables whom it's impossible to refuse to invite to a wedding.

It feels darkly funny to Harri to think of them like that — the sentiment is pure Cosimisa, she practically hears it in the elf's spite-dripping intonation — when she hasn't seen or spoken to Cos in weeks. May never have to — or be allowed to — again.

Then again, perhaps it's merely that sparkling wine is flowing like a burst water main, and Harri's single incautious long-stemmed glass of it, on her rebelliously queasy, empty stomach, has spun her head. She fastens herself tightly to Vespidine's elbow, and gives her best blank heavy-lidded smile to an endless parade of elves who have things to say, in various degrees of veiled, to Vespidine about her. Or to Vespidine, about Vespidine, with reference to her.

Vespidine holds a glass of her own, never takes a single sip, and would seem imperturbable if not for the way the muscles of her arm are clenched steel-tense under Harri's fingers. Harri wonders if any part of it is because the elf is aware, now, that Harri might somewhat understand any given one of the slights.

Probably it's just that families are hell.

An eternity later, Vespidine's polite, recurring, "Do excuse me," sees her wheel Harri abruptly into the kitchens, where — in the absence of most of the noise and crowd, in a staff area of the house — she takes Harri by the elbows, turns her face-to-face, frowning, and lifts Harri's chin with the tip of a finger and thumb.

The elf sighs, almost silently. "Sit down, Harika," she says, gesturing Harri in the direction of a stool, and Harri sits and watches her as she gathers a glass of water and a small plate of salted crackers. "Did you eat anything this morning?"

"I couldn't have kept anything down," Harri says.

"It's another two hours before the ceremony starts," Vespidine says quietly. "Please," and holds the plate out, face strained but patient.

Harri is agreeable when she's tipsy. It makes her usually busy brain pleasantly quiet, leaving plenty of space to pour suggestions into her. Cosimisa found it endlessly entertaining.

Harri takes a cracker and agreeably, if unenthusiastically, nibbles at a corner of it.

"Your sister likes me like this," she says conversationally, and Vespidine's mouth tightens, just a little. (Harri is agreeable — that doesn't make her unobservant.)

"Drink some water, Harika," she says quietly, and Harri takes the glass that's held out to her and sips water and Vespidine stands too close and watches her, stiff and sad. "Eat another cracker, please."

"Since you said please," Harri says, the glib lie sweet on her tongue; she'd have done it anyway. It doesn't matter what tone the korvu by-Tenstone korvu Overmore kanru Tjenwater girls take with her.

(Well...she's equally agreeable, regardless of tone; that's not to say it's precisely the same. She presses her thighs together, under her expensive ruffled skirts, and demurely sips her water and nibbles her cracker and watches Vespidine watching her.)

"How much elvish do you speak, Harika?" Vespidine says finally, and Harri sighs and rolls her eyes.

"I attended university," she says, a touch impatiently, because if Vespidine cared about the answer she could have known everything already. "Literature. I wrote my thesis on comparative translation strategies in difficult classical elven texts — the Mordantiad, the older works in the Tenstone Cycle—"

"Oh," Vespidine says, wincing. "Not — not precisely limited to enough to do your job, then."

"Not precisely," Harri agrees, and watches Vespidine visibly reconsider that even her distant elder relatives' obscurely snide classical allusions haven't passed Harri by.

The elf's jaw twitches, as if she might say something.

"Eat another cracker, please," is what finally comes out.

Harri looks at the crackers and sighs. They are, in fact, settling her stomach a little, and her head feels a little less cloudy — which she's not sure is an improvement, under the circumstances.

"Alright," she says.

Another hour passes, purgatorial, before the extended family and guests are packed into a cavalcade of motor-cars to be delivered all the way to the top of the Hill, to the amphitheatrical shrine, highest construction on the Northstone save for the summit's sealing petroglyphs themselves. It has no religious function — the gods unleashing the End will never be forgiven — but much as shrines and cathedrals always did, ostensibly secondarily, stands as a testament to the people of the End themselves; their refusal of the gods' will to casually dispose of the entire world.

Harri ends up amidst a row of seats, Vespidine on one side, her parents further along in that direction; one of Vespidine's grandparents on the other side of her. Vespidine, eyes casually forward, reaches across and takes Harri's hand, cradling it between both of her own in her own lap, as if the gesture is smoothly unconsidered.

The grandparent ignores Harri as thoroughly as if they were seated next to a wall, not a person. She's left with nothing to do but watch the ceremony; the armfuls of scattered flower-petals, the symbolic fire, the winding of a length of beaded ribbon to join the forearms of Cosimisa and her soon-to-be spouse, the nominal token proof that the groom can afford to support a wife, in the traditional elven form of a golden ear cuff. Cosimisa, with her perfectly performed dutiful-daughter mask of nuptial joy.

It hurts, in a hollow sort of way. And Harri feels sick at herself, for hurting. For the way she's anticipating, in the ache, missing Cosimisa; and for the meagre but appreciable comfort she takes in having her hand held by the other sister.